Charm is a useful byword for the career of Billy Wilder. His films often explore the charm of innocence and the charm of corruption, or to put it more precisely, the charm of corruption for the innocent and the charm of innocence for the corrupt. The director does not regard cloistered virtue as being very photogenic, but tainted virtue is another thing entirely. In his most serious dramas, characters who have compromised and corrupted themselves in tragic ways—like Joe Gillis in Sunset Boulevard and Chuck Tatum in Ace In The Hole—undertake too late to reclaim their integrity. In his comedies, characters whose desires are represented by the corruptions of worldly compromise and easy comfort—like Bud Baxter in The Apartment, Harry Hinkle in The Fortune Cookie, John Pringle in A Foreign Affair—relinquish their spoils and return gladly, if a bit stained, to the integrity they previously had no use for. Virtue becomes its own, more appreciated reward and vice its own punishment. Since the 1930s, Wilder’s cinematic charm has been making audiences accept some unconventional truths and root for some.
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Friday, September 7, 2018
Download Billy Wilder (Pocket Essentials. Film) pdf by Glenn Hopp
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